Monday 31 October 2011

August (by Michael Lawton)

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Seemingly every year in our country sometime in August the weather changes dramatically and we get a window onto wintertime; a week or more of really nautical weather flapping and soaking us. But it doesn’t take; although the trees samba in the wind the leaves aren’t ready to swoon and more often than not it is followed by a warm Indian summer in September.

But when this inclemency is eventually blown away some of the silliness of summer goes with it and we appreciate any remaining sunshine in earnest. We ignore the start of autumn; the equinox and the incipient winter is forgotten or put to the back of our minds as we talk and walk about in shirtsleeves.

Perhaps this ‘winter-glimpse’ in August is the real start of winter - the vanguard - and though we love the sun some of us are refreshed by this. Some see something romantic in the fisherman’s weather, and relish seeing the clouds bolt across the sky.

Emilia was one of these people who liked the cooler weather. The predictability of rain in England was comforting. She had started jogging this summer and she loved running through the damp air, the mizzle invigorating her as she went. She was three months experienced and had graduated from jogging to running. Having found her rhythm she could skim along fairly quickly. Ignoring everything around her and the men looking, some sheepishly sidelong, some unashamedly, at the sway of her breasts.

Running had also aided her adaptation to contact lenses. She’d previously resisted her mother’s urges to switch from spectacles but as she now had a practical reason for doing so she had made the change easily.

She listed this in the benefits of running as she ran, focussing her mind on why she was doing it whenever she felt like stopping. This benefit went hand in hand with another; that she had argued a lot less with her mother since starting running; her frustration was stamped into the pavement rather than spat out in cattish comments. Indeed the air between them was as peaceful as at any time since the death of her father.

As you would expect, this traumatic event, the result of a gnawingly typical gnawing cancer, had far-reaching effects. Emilia’s was a sea of grief and after the tidal wave of sorrow that begot it, it continued to break in waves, as unremitting as the tide, and dominating her fledgling adulthood.

Her mother realised that it was since her husband’s death that Emilia had (probably subconsciously) decided to spend little time worrying about her appearance. Most of her decisions were made, like the switch from glasses to contacts, on the basis of pragmatism. Yes she still was attracted to certain colours or patterns but she cared little as to whether or not they glorified her appearance. Her mother knew she couldn’t explain this in these terms to her daughter, (though she had tried to get Emilia’s older brother to say something). Instead she simply chided her about ‘going about unnoticed’ which simply irritated Emilia.

In simple terms Emilia was petite with bobbed dark hair, and spent most of the time in her glasses. Her fringe fell down straight, tucking itself behind the frames. And as she spent most of her life looking through glass and hair she had a permanent look of mild curiosity.

Unbeknownst to Emilia, not only were there fewer arguments because she was less angry after a run but also because her mother had understood the running as Emilia taking an interest in her looks and reflected a wish to ‘tone up.’

This was wrong. In fact Emilia had started running as some sort of homage to her father who had been a keen runner, and also perhaps as an acknowledgement that she needed to control her grief. She was twenty and because of four years of blind sorrow had arrived at this age unsure of where her life was going.

The running then, was a constant tribute to her father while also allowing thoughts of him to be slightly separated. She had begun the task of restructuring her life. She thought about her dad and she thought about what she could and should do with her life. She had sleep-walked through the rest of her schooling and after earlier promise had done well but unspectacularly so. Since then she had a variety of jobs but none stuck, her sadness had given her a daydreaming aggressiveness that many of her colleagues had not taken to.

On her stereo, onto to which she’d emptied all the music off of the family computer she found herself listening to soft-rock, though she wouldn’t admit this to her few friends; she’d claim to be listening to something edgier. A lot of it was to her dad’s taste, which was one reason for listening to it. But also because it seemed to fit; the pedestrian emoting seemed to suit the pedestrian weather in this pedestrian summer.

She had just started a second job working in a pub; she was now keen to save as much money as possible. She wasn’t sure which direction she wished her life to take but wanted to be able to afford it when she made a decision.

At work Emilia is sitting outside the back of the pub talking to one of her male colleagues, he is smoking. She isn’t, but is taking a break with him. They had helped themselves to glasses of lemonade from the tap and are perched on the barrels that, along with empty gas canisters are awaiting collection by the brewery. This area has been half hidden by a wooden trellis with some desultory shrubs leaning affectedly on its base. It is a pretty wooden structure but within the tarmacadam ground is split where dandelions wrest through, it looks like one of those patches of land that are resolutely not meant to be looked at.

This is their first shift together and they are getting to know one another, dealing in the banal questions about their lives away from work. Her colleague is called Simon. At first he had that familiar tightness in his chest and a higher vocal range because he was talking to an attractive female but in the course of the conversation this has eased a little. He still has a blank whenever he has to think of a topic. He is five years older than her, and though he is trying not to, cannot help but offer advice on her life.

‘I respect your decision not to go “travelling”’

He said, coating the verb with derision.

'I hate that fucking word. Just say you are going on holiday. People talk about finding themselves. It’s daft. You’re just as likely to find yourself nipping to the twenty-four garage to buy fags as you are suffering culture shock on some beach in Thailand.’

‘Yeah…’

She says, deciding not to tell him yet why she hasn’t been away and that she will happily go if she wants to when she has the money. Simon, in an effort to stop pontificating, asks Emilia about her other job.

‘Where else did you say you worked?

‘In The Museum’

She said referring to the local Victorian museum in their suburb on the outskirts of South London. Everybody who had grown up in the locality referred to it simply as ‘The Museum’ Simon had been puzzled by this when he’d first moved down here, arriving from the north of England, but now understood it.

‘Oh yeah? That sounds alright.’

‘So far yeah, but everybody there has been so nice that every time you meet someone new you think; is he going to be that fucking guy?’

‘What fucking guy?’

‘You know, the arsehole, the jobsworth, the one that you check on the rota to see if he is working at the same time as you.’

‘Well, have you met him yet? Does it have to be a him?’

‘Not yet, and no, it could be a women but I was working with this weird guy yesterday; listen to this.’

She explained to Simon how she worked in the museum’s shop which had the big wooden, glass-panelled doors that you’d expect of a Victorian institution. Lighter and better oiled than every visitor expected, the doors swung back and forth throughout the day and as they did so the rubber seals would kiss repeatedly, filling her days with a puckering sound. Her colleague there, the ‘weird guy’ had observed: ‘Those doors sound like they are kissing.’

Emilia turned to Simon;

‘That’s what he said; do you think he’s flirting?’

‘I dunno; I’m not sure I even know how to flirt.’

‘Ha. Come on, you must do.’

‘Well maybe but I don’t think so.’

I don’t, otherwise I’d flirt with you, he thought, a little nauseous with desire. And he fucking hated ‘that fucking guy’ at that moment, he exhaled smoke deliberately and looked at her; she talked so easily she seemed oblivious. He couldn’t read her windblown conversations as a nervousness she thought was obvious. Despite not really wanting to know he asked the question;

‘Well do you want him to be flirting with you?’

‘No.’

‘Right’

Relief released throughout him. ‘In that case let’s not talk about him.’

‘Right’ she said smiling and he became aware how happy he felt. Their grinning was broken by her,

‘Did you go to university?’

‘I started a Fine Art degree... but I left; I realised it wasn’t what I wanted to do. I was spending money by the bucket load and not getting anything done… Or anything I really believed in. I was more interesting in other things, I was making a film. I’m still trying to do things now, when I’m not working here, or anywhere else.’

‘Will you go back; you can do film degrees can’t you?’

‘Yeah maybe… I’m not sure I’m still into film that much… I’ve got things I want to accomplish first.’

He had a list of these things taped to the wall above his bed. This list was constantly changing as items were added and items erased. He had had to re-write it at least a dozen times in the last three years, each time printing from a master copy on his PC. This list encompassed projects; photography, art, writing. Things he wanted to buy; ‘leather jacket’ was the last thing added in this category. And more ephemeral things, the most non-tangible being a list of mixes of music he wanted to make. The fourth thing on the list between ‘photograph windows’ and ‘regular self-portraits’ was ‘get girlfriend.’

He thought about this list but decided against telling Emilia about it, instead he simply crushed his cigarette beneath his foot;

‘We better get back to work.’

-

Later that afternoon during their flickering conversations, Simon walking down from his station in the top bar into the bottom bar, to her station. He walked down with a piece of paper in his hand. How do you pronounce this, he asked her. Writing ‘Brakhage’ on an answer sheet left over from quiz night.

‘Like breakage.’

‘Yeah brack-age, not brack-har-gay. It’s a bloke’s name. Stan Brakhage. He did a film called Anticipation if the Night.’

‘Cool title.’ She said nodding her head. ‘Why do you want to know? I mean why are you not sure?’

‘I was having an argument with my flatmate about it… We argue all the time. I don’t know why I live with him.’

‘What do you argue about?

‘Everything really: He’s become a bit of a cock since he started going out with his new girlfriend. He’s even started to dress differently. He wears these long coats and classic sunglasses like an American teenager about to go postal on his class mates.’

She laughs appreciatively so he continues, opens up a little.

‘The last time, I know this sounds ridiculous, but the last time we argued was about the band Belle & Sebastian. He says it is wet nonsense, has no edge. I reckon that a band who write songs that your nan can dance to as well as you at a wedding or somewhere like that, and also be ‘modern’ whatever that means. Well, they're a rarity and have a place… Do you know what I mean? Wanting everything to be edgy is ridiculous.’

‘I know what you mean.’ she said, thinking of the music she listened to while running. ‘Does your Nan really dance to Belle & Sebastian? How long have you known him?’

‘Nah, but I can imagine her doing so… Err, five-odd years, we met at uni, he stayed on when I left. He said that we weren’t supposed to be doing anything we believed in at that stage; maybe he was right.’

‘Anyway we kept in touch and now he’s finished and moved to London; because that’s where the art is, you know. I moved in with him because I was living with these wankers before and he is a good friend, just irritating recently.’

‘Actually I’m meeting them tonight; do you want to come along? You can offer moral support if we get into an argument.’

Though she didn’t hesitate, not really, his words to her seem to hang in the air, repeating like an echo, until,

‘Yeah okay.’

His head was pounding as he had asked her, asking her out in effect.

‘Now I’m anticipating the night.’ He said and walked to the toilet, inwardly cringing at this clumsiness, this is how I flirt he thought. God. For her part Emilia simply smiled, which confused him further and made him wonder whether she picked up on what he’d said.

Forgetting about their inner nerves, Simon and Emilia spend the rest of their shift idly chatting, probing at one another's interests, Simon trying to be as amusing as possible, Emilia trying to be as amused as possible. Simon talked about Stewart and Amanda preparing Emilia for any caustic reception. Their shift ended at four and after leaving Emilia at the bus stop, having arranged to meet again at eight, Simon headed toward home. He walked whenever he could, finding relief to be outside, travelling at his own volition in London, a city in which movement is often stifled and shunting.

He was buoyed more than he could credit by Emilia's agreeing to meet him. He
walked with a grin and a bounce, enjoying the unseasonably breeze, he browsed
every shop window he passed.

As Simon wanders home in a state of beatification, he sends a message to his flatmate Stewart, who has just had sex with his new girlfriend Amanda. Stewart was smug and recumbent as Amanda pulled a towel around herself in readiness for a shower. She was taller than Stewart and looked down on him: Now whilst standing over him, but also whenever they talk, and in life in general.

‘I just got a text from Simon. He’s bringing some girl from work to the pub.’

‘Really? I bet she’s some crazy artist goth or some ultra-mild film geek.’

Amanda emphasised this statement by letting it hang in the air as she swaggered into the bathroom.

She’s cold and a bit scary thought Stewart but he revelled in the fact that she had chosen him. He thought her uncompromising rudeness evidence of a discriminating nature and integrity, and the fact that she had chosen to go out with him meant he was special. He lay there basking in self-satisfaction, feeling the semen crispen on the soft hairs on his gut.

-

A couple of miles away Emilia is setting off on a run, the coolness still hanging in the air, hoping to exercise some of her nerves before meeting Simon later.

Tuesday 25 October 2011

Mistakes (by Sue Jung)

Bird

A bird was singing outside my window at night.

I hated it.

I got flu.

I had a high fever.

The bird was singing.

I couldn’t sleep at all.

I loathed it.

I got over the flu.

The bird was gone.

I waited for it.

I denied that I was waiting for it.

There were nights.

I was there.

A Mistakes

I wrote about the bird.

I decided to make an installation using this experience.

The bird wasn’t there.

I made a document about 19 days with the bird.

I wasn’t confident with my English.

I asked Huw Greenwood to correct the English mistakes in the diary.

He was my classmate.

I displayed the correct version of the diary in a group show.

Sam Bunn

In the group show, Sam Bunn told me that there were few mistakes in the document.

He was my classmate, too.

I told him that is weird.

I told him that I asked Huw to correct English errors.

Then he precisely pointed out some errors.

I was puzzled.

I didn’t understand why mistakes were still there.

Huw Greenwood

I told Huw that Sam indicated the mistakes in the text.

He wasn’t surprised.

He said that he deliberately left the mistakes.

I couldn’t understand his intention.

He told me that he left it because he thought it showed my personality.

I laughed.

I asked him what my personality is.

He didn’t say anything.

Steve Klee

I had my tutorial for my work.

Steve Klee was my tutor.

I showed him the work about the bird.

We talked about many things.

He asked whether the mistakes in the text were intended or not.

I said it was intended, but by another person not me.

I told him the story.

He laughed.

He said my works had some kinds of humor.

It was the first time that I heard it.

I liked it.

Huw Greenwood

I forced Huw to correct it again.

He said that it would remove my personality in the document.

I said I didn’t care.

He corrected it.

There were many mistakes indeed.

That was a bit sad.

Huw Greenwood

I asked him to correct the errors once again.

I wanted to know whether this one can be the same as the last correct version or not.

He corrected it.

It was quite different from the previous one.

I was satisfied somehow.

Flora Whiteley

I had my tutorial for my work.

Flora Whiteley was my tutor.

We were talking about the work and the document about the bird.

I told her there were many mistakes.

She was surprised.

She said she couldn’t find any mistakes.

I was surprised.

She said even if there were few mistakes it wasn’t important.

I agreed.

We didn’t talk about it.

I liked that she didn’t notice the errors.

I disliked that she didn’t notice the errors.

I don’t know what is right and what is wrong.

Tuesday 18 October 2011

Mallaig (by Rosie Dunnet)

Massing over the pier as we approach is a great swarm of seagulls fighting over a fish head.

They are big, aggressive animals, and we are intimidated. These birds are particularly large and sleek, fat on rejected catch and restless with easy living. This, and not hunger, is the source of their bickering, which we at first mistook for a bitter struggle. After one of the flock, appearing to emerge triumphant, drops the fish, it is only to begin the fight all over again once another bird picks it up. This bewildering performance is repeated several times before we understand that the gulls are not hungry, only bored. The point is driven home by the boxes of fish, left open and with their contents exposed to the sky, at the end of the pier.

 After the pantomime bloodlust of the seagulls a more eerie scene awaits us next to the fish crates. A scatter of dogfish laid out on the granite like murder victims , with their mouths gasping and their gills bloody and eaten out.

The seagulls are not the only wild animals to have gotten fat hanging around the fishing boats. As we pass her on the way back to the road, a woman, another tourist passing through, holds her finger to her lips and gestures toward the stone steps that lead to the sea. There, in the shadow of the dock, is a grey seal, staring up at us with expectant eyes. After a while it sighs deeply and rolls over and out of sight. It’s not long before it’s back again, with a partner hanging like a ghost just beneath the surface. This second animal has a much more plaintive look on its face, and its eyes, staring up through the water, are almost completely black. It looks mad. The bigger one is bulkier, with bloodshot eyes. It seems benevolent enough, but I feel, irrationally I expect, a palpable menace emanating from it for all that it appears from some angles like nothing more than an amphibian hound, dopey and benevolent. I notice its tail fins, pleated like a concertina, mobile and ragged like grasping hands- not at all like the velvety protuberances in illustrations I remember. Webbed, rather than finned, with long grasping fingers of bone between. I am reminded of something I saw in the Cambridge Zoological museum that I, for the moment, cannot put my finger on.

No wonder. The Zoological museum has the old fashioned feel of a public educational facility; it has escaped the careful curatorial attention evident in more well established museums of Science and Natural History. In those places everything is laid out in bite size chunks, with the clearest and most useful specimens on show. They are labelled clearly. The Zoological museum reeks of formaldehyde and under the glass top of every vitrine and display case is a riot of dead matter in various stages of decomposition, decay, neglect. The little cards which explain the name and source for the specimens are printed in different fonts and handwriting. Something bottled a hundred years ago sits next to a plastic cell structure mock up which looks like it was modelled in the seventies by a bored microbiologist. Some of the smaller organisms are pinned under magnifying glasses for better appreciation of the details, the rings, the claws, the mouthparts, the sexual organs. Some are not, and languish, inscrutable, in their plexiglass coffins. Darwin’s collection of stuffed birds are there, and the nightingale with its beak wired open. My favourite are the skeletons.

The first time I tried to visit the museum it was dark, and hours past closing time. But what I and my companion had come, really, to see, was hanging in the car park. The skeleton of a finback whale, already dead when it was washed ashore at Pevensy, has had its baleen teeth stamped back in with metal staples, and wallows by the entrance suspended from wire cables. Behind the windows in the roof of the museum proper hang its cousins, the dolphins and the smaller whales, paused as if in flight, following each other in a circle across the ceiling. You can stand in the yawning ribcage of the finback, arms held out, nipped in the embrace of a great, fleshless chest. Let your eyes stray a little to the side and you can see the cigarette butts, stubbed out on the ground beside it. Even before I went in I had seen the skeletons of the zoological museum, the calcified hulk in the car park and the mysterious boiled up configurations through the windows. It was the sea lion which freaked me out though. The skeleton looked like a man forced into its elbows in a gruesome display of supplication. There was something very enslaved about the sea lion skeleton. And it was this which came back to me, looking at its relative, bobbing in the grey waters of the harbour and contriving, so it seemed to me, to look cuddly. Probably, I thought darkly, it would jump at the chance to up and massacre us all, even that little child there hanging over the railings, fascinated but (rightly) too afraid to come down the steps. Rebecca leaned close to me and spoke in my ear ‘It’s amazing isn’t it, their expressions. But at the end of the day, just animals. They just want a bit of fish’.

A local boy rides by on a bicycle and stops to show us how, with a fish picked out of the crates, he can entice the seals out of the water and a little way up the steps. The boom and swish of the water as the bigger one lunges up out of the sea make us all move back, except him. I wonder how many times he has done this with the passing tourists. At first I thought he might be showing off to us, three older girls gasping and whispering as he gets the animals to do tricks, but he seemed, truly, more absorbed in the task itself, in the seal rather than those who were watching it, even though all the locals must have done this often enough that the seals have grown fat off of it. I wonder if this is his pride, in a small village on the coast of Scotland with terrible weather and nothing to do but ride your bmx up and down the waterside after school. We are silent and respectful while he, never taking his eyes off it, tempts the seal, inch by inch, towards us.

Standing in the cavity of the  ribs of the Pevensy corpse was an experience which echoed back to me on subsequent occasions, an experience which, perhaps because I was distracted by the conversation of someone else, I did not predict would have the force and resonance it did. It seemed to me at the time pretty special that it should be possible to position myself inside the skeleton of another animal. I was impressed, in an organic sense, by the size of the creature whose generous proportions, in death, admitted me. I was both fascinated and a bit disgusted by the curiosity of humankind, and also by our strange objectivity when set off against a sentimental regard for animals. That we would happily boil and hang the remains of a corpse, and put it in with the cars, and commit the double sacrilege, curatorial and spiritual, of hopping over the scant barriers surrounding the skeleton and stand inside it. This amazed me. But what I would notice after that time most frequently was our astonishing and apparently unconscious desire to replicate, architecturally, the experience of having been eaten.  

Look up in a church of impressive size, or in a high ceilinged gallery. Look up as you walk down a corridor in a place of power, or along, even, an avenue of trees. You will see a processing corridor of ribs, receding behind you and proceeding before you. It must be said that no one has on record been known to have survived the process of being in a living whale, and as such it is only fair to acknowledge that the way it looks to have been ‘eaten’ can only be said to have been produced using the faculties of imagination and perhaps experiences such as I have had, a copy or a mime of the real thing, enacted in a grisly puppet. Of course also it must be acknowledged that the whole reason that ribs, of any size, look like they do, is because the design is one which is structurally sound and can also be seen, inverted, in the bows of boats, the rotting remains of which, found on shorelines, do look like those of a huge and decomposing animal, sticking up out of the sand . Even if ribs were, at one time, an inspiration, it seems fatuous to suggest that the designs of our buildings and our ships reflect a hidden desire to hunker down in the hot insides of giants, to worship in caves of flesh, to explore the seas in great, bobbing, welling bellies. But this is what I have done.

Eventually the boy breaks the spell of desire, and starts chucking the fish into the water.  Another of the seals has by now appeared, a much smoother customer than the bullish and the ghostly pair by the stairs. It does flips and rolls in the water, keeping a casual distance and a sharp eye out. Eventually, sighing deeply, they all turn over and disappear into the grey water. I stick my head under the dock where I can hear the wind singing through the brine softened wooden staves. Brown and dark and shadow, interspersed occasionally with the faded neon pink of a buoy. A seagull floats languidly down one of the dark avenues. I bring my head back out into the last of the sunshine and we head back to the hostel to make dinner.

The next day we take our time over breakfast almost miss the ferry and pay for it with a humiliating run towards the gangway, huge rucksacks bobbing up and down and all the other passengers looking on. ‘Next time we remember’ Rebecca says once we are safely on ‘when it says it leaves at ten, it means it leaves at ten’.

 

Mallaig is part of a larger work in progress.

Monday 10 October 2011

Monday 3 October 2011

This is a love story (by Sue Jung)

 

This is a love story

 

A hooker

 

There was a hooker.

There was a guy.

The hooker loved the guy.

The guy might have loved her or might have not loved her.

 

 

 

 

 

 

 

 

 

Too much

 

A bunch of strangers

Too much happiness

Too much laughter

Too much hope

Too much disappointment

She knew what she was doing.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Big Window


When she lied down on his bed, while he was sleeping,

she was looking over the window.

The wind was coming from out there, the clouds were flowing.

She blinked.

She blinked.

She blinked.

He was snoring.

 

 

 

 

 

 

 

 

 

 

 

 

No kiss

He didn‟t like kissing after having sex.

No kiss

No smooch

No school girl‟s peck

 

 

 

 

 

3 Slices of Pizza

 

She went to his house

He gave her 3 slices of pizza.

She ate all.

He fucked her several times

She came back to home by bus.

It took 1hour.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Preference


“Which one do you prefer, mountains or sea?”

“I like woods.”

 

 

 

 

 

 

 

 

 

 

 

Nobody

 

You know, I am nobody.

That‟s why I can be here with you.

If you don‟t have me, you wouldn‟t lose me.

 

 

 

 

 

 

 

 

 

 

 

 

A joke

 

The guy told her he could lose his good friend for one joke.

If the joke is great, he would happily lose his friend.

She didn‟t know how the joke could be that great.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Scabs

On the way to his house, she fell over.

So she hurt her knees.

It was bleeding.

It left marks on his blanket and pillow.

The blood dried.

Scabs left.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Jumping

“If you choose how to suicide, what would it be?”

“Jumping”

“Then somebody would need to clean up your body”

“Oh, yes. I want someone mopping my blood, flesh, eye balls.”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Stupidity

“What are you thinking about?”

“I‟m thinking about stupidity”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The end

Where does everything go?

Elsewhere

That‟s it.

That was it.

It ended elsewhere.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

What he let her knew that she hadn't known

1. When you have an ulcer, honey is good for that.

2. Human‟s sacred sacrifices, such as Samaritans dead for other people, are actually gene‟s selfish instinct for its own reproduction.

3. Sleeping too much is one of the symptoms of depression.

4. Moron‟ means „Idiot‟

 

 

The Foolscap Journal is an occaional journal of just one piece of writing, edited by Michael Lawton. Submissions are welcome and should be sent to mlawton(at)hotmail.co.uk.